[Rarebooks] fa: BISHOP PERCY - Five Pieces of RUNIC POETRY - 1763
Ardwight Chamberlain
ardchamber at earthlink.net
Wed Feb 20 10:27:19 EST 2008
Listed on eBay now, ending Sunday, Feb. 24, with no reserve and a low
opening bid. It can be found at the URL below, or by searching under
the seller name arch_in_la.
http://search.ebay.com/_W0QQsassZarch_in_la
[Thomas Percy, Bishop of Dromore:] FIVE PIECES OF RUNIC POETRY
Translated from the Islandic Language. London: Printed for R. and J.
Dodsley, in Pall-Mall, 1763. FIRST EDITION. Hardcover 8vo (18.5 x 12cm)
in modern paper-covered boards with printed spine label; [16] + 99 +
[1] pp.; engraved title-page vignette of runic characters. NCBEL II,
242; ESTC T55180.
The first edition of the first significant translation of any
Icelandic-Eddic literature into English. Included are: The Incantation
of Hervor, The Dying Ode of Regner Lodbrog, The Ransome of Egill the
Scald, The Funeral Song of Hacon, and The Complaint of Harold [king of
Norway]. Also includes a preface and the original Icelandic poems on
which the translations are based. Thomas Percy (1729-1811), Bishop of
Dromore, editor, antiquarian, and friend of Samuel Johnson, Thomas
Warton, and James Boswell, was the first serious English translator of
Old Norse-Icelandic poetry. "Five Pieces of Runic Poetry was a seminal
work in the history of reception and understanding of Old Norse poetry
in Britain and it also has more general significance in our
understanding of the development of the discipline of Old
Norse-Icelandic studies" (Margaret Clunies Ross: The Old Norse Poetic
Translations of Thomas Percy: A New Edition and Commentary, 2001). As
is often true of pioneering work, Percy's translations and notes were
not without their faults. He was responsible, for example, for the
widespread eighteenth-century misconception that Vikings drank from the
skulls of their enemies, arising from a failure to understand that the
phrase "curved trees of skulls" referred in fact to drinking horns.
Some mild toning to the leaves, scattered light foxing, otherwise quite
clean and fresh, no other marks; firmly bound in a clean, sharp modern
binding with some light wear and sunning to the edges, one bottom
fore-corner a bit bumped. A handsome copy.
Many thanks,
Ardwight Chamberlain
arch_in_la
L.A., CA, USA
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