[Rarebooks] fs: Loddiges Botanical Cabinet Vol. XIX....well, most of it anyway.
Michelle Palmer
palmer at palmerbooks.com
Thu Apr 1 23:21:23 EST 2004
THE BOTANICAL CABINET consisting of Coloured Delineations of Plants from
all Countries, with a short Account of each, Directions for Management,
&c. &c., by Conrad Loddiges & Sons, Vol. XIX. The Plates by George Cooke.
London: Published by John & Arthur Arch. Cornhill
Longman, Rees, Orme, Brown, & Green, Paternoster Row
and C. Loddiges & Sons, Hackney, 1832.
The Botanical Cabinet was issued by Loddiges in monthly fascicles
between May 1817 and December 1833, with each part containing ten
plates, later arranged into Volumes of 100 plates each and ultimately
comprised of a set of twenty volumes containing 2000 plates.
This volume is a disbound copy of the small paper issue, and while the
original half-leather and marbled paper boards are present, they are
worn and the spine is lacking. This is the small paper issue, and would
appear to be more of a collection of the regular monthly fascicles than
part of a set if not for the full index of plates. There is an unevenly
trimmed card stock present, engraved with the same information found on
the title page of the regular issue, but normally there would be a
separate engraved title page for every 10 plates. This is the partially
colored edition, consisting of a few full-color, but primarily
partially-colored copper-engraved plates of flowering plants by George
Cooke, after George Loddiges and others.
There are 90 plates (out of 100) present, with facing letterpress page
of descriptive text, both printed on one side only. The engraved plates
are, of course, on a heavier stock than the text description.
Forty-seven plates are partially colored, eight of which are fold-out
plates, with the remainder fully colored. Several of the partially
colored plates have varying degrees of later attempts to hand-color, and
of the fully-colored plates, at least half are from the later
hand-coloring. I suspect the book may have been used in watercolor
instruction at the college. The colors used are primarily light yellow
and green, and the green is significantly lighter than the original
greens. A few of the later-colored engraved plates have watercolor
smudges on the blank verso, perhaps testing the color.
Of the plates issued in this volume (Nos. 1801-1900), the following are
missing:
1807, 1809, 1812, 1849, 1856, 1858, 1871-1873, 1875. There is a 3-page
printed Index in alphabetical order, listing common and formal name of
plant and corresponding plate number, with ‘W. Wilson, Printer….’ on verso.
The Nursery near Mare Street in Hackney that came to be known as Conrad
Loddiges & Sons had it’s beginnings as the horticultural outlet founded
by a German immigrant, John Busch. When Busch was sought out In 1771 by
Catherine Empress of Russia to lay out her gardens 'in the English
taste', his business was carried on by another German emigré, C. Joachim
Loddiges, who arrived in England about 1761, and who eventually
purchased the outlet from Busch.
For many years , J. Conrad Loddiges and his progeny built the nursery
into a world renown source of exotic plants, trees, and flowers from all
over the globe. Beginning in 1812 to cultivate orchids, they continued
as the principal commercial orchid cultivators in Europe until the
closing of their establishment in 1852. During those forty years the
Loddiges were recognized as the most influential and authoritative in
the field of orchid culture, as well as being noted for the production
of camellias, which were introduced in the early 1800s.
These Nurserymen were among the first to use huge greenhouses for
commercial purposes - Loddiges established theirs in 1827 - metal houses
with curvilinear roofs. Loddiges also advertised more than thirty
eucalypti and other species from Australia and New Zealand, and no less
than 1,393 species and varieties of Roses (1826) as well as an
additional list of 66 "Chinese with varieties and Hybrids, along with
two thousand greenhouse plants listed in the catalogue for 1830
J. Conrad’s sons, William and George Loddiges (1784-1846) took over the
nursery later, but it was George who appears to be primarily responsible
for the Botanical Cabinet, even to the extent of creating most of the
drawings that George Cooke created the plates from, although it is
believed that the ladies of the family had as much to do with this as
George. During his supervision of the firm, George Loddiges also
supervised the planting of trees in the burial ground of The Abney Park,
conceived as an arboretum for this Non-Conformist Cemetery. His son
Conrad was laid to rest there in 1865, and Conrad's wife Susanna in
1897, as well as their daughter Evelyn in 1893.
Conrad Loddiges (1821-1865 ), the son of George Loddiges (1786-;1846),
and grandson of Joachim Conrad Loddiges ( c .1738-;1826), the latter two
great horticulturists, inherited the famous nursery on Mare Street and
shortly thereafter he closed the doors. In all fairness, by the 1850s
urban development, along with Industrialization and pollution, had
engulfed the nursery at Hackney. In 1852, when its lease was almost
expired and nursery land in Hackney was becoming worth far more as
housing land, the nursery closed. Sir Joseph Paxton bought the last of
Loddiges' considerable stock (for quite a tidy sum) for the newly
reconstructed Crystal Palace, including a palm weighing 15 tons, the
size of a three-story house, that was pulled from Hackney to Sydenham by
thirty-two horses through the streets of London, an event that was
featured in the London Illustrated News.
This is an ex-institutional copy with a Wilson College Library paste-on
plate on one end-paper which states ‘Gift of Miss Katherine A.
Taylor/1923/Class 582/Book L’. There is a ‘Wilson College Library’ ink
stamp at the top edge of the description page for plate 1861 (IRIS
CRASSIFOLIA), and writing in pencil beneath description paragraph:
'Botanical Cabinet/Conrad Loddiges & Sons/1832', through the description
of plate number 1834, (at which point I’m certain some poor supervisor
asked them what they thought they were doing) but no writing on the
plates.
There are two blanks, one has a small hole approx. 1/8” in diameter near
lower edge at gutter side. This small paper set of monthly catalogues
was trimmed very close to the plate mark, and most of the upper plate
margin is removed. The plate marks are still quite visible, especially
from the blank side, and the actual image area measures 6.5" x 4".
My initial intent was to rebind the remainder of this volume, however, I
have some concern over how successful that would be given the lack of
margin on the back margin and the way the thread was pulled through the
paper on about half of the needle marks. While the back margin could
possibly be reinforced or extended to re-bind, I am not sure enough of
that to guarantee it. I have taken several photos to illustrate both the
beauty of the engravings, and defects of the back margin:
http://palmerbooks.com/images/auction/EDITED/Botcabinet_1890b.jpg
http://palmerbooks.com/images/auction/EDITED/Botcabinet_1890a.jpg
http://palmerbooks.com/images/auction/EDITED/Botcabinet_1894b.jpg
http://palmerbooks.com/images/auction/EDITED/Botcabinet_1894a.jpg
http://palmerbooks.com/images/auction/EDITED/Botcabinet_1899b.jpg
http://palmerbooks.com/images/auction/EDITED/Botcabinet_1899a.jpg
And the petals on this illustrate the later yellow watercolor:
http://palmerbooks.com/images/auction/EDITED/Botcabinet_1900b.jpg
http://palmerbooks.com/images/auction/EDITED/Botcabinet_1900a.jpg
http://palmerbooks.com/images/auction/EDITED/Botcabinet_1857b.jpg
http://palmerbooks.com/images/auction/EDITED/Botcabinet_1857a.jpg
http://palmerbooks.com/images/auction/EDITED/Botcabinet_1897b.jpg
http://palmerbooks.com/images/auction/EDITED/Botcabinet_1897a.jpg
For a disbound volume, the paper is in very nice condition, with the
exception of the back margin issue.
If you are interested in this collection of plates but need further
information, please do not hesitate to contact me. Additional photos
supplied on request. I only ask that you do not tell me if you plan to
hang them on your wall. Please.
$300.00 Net.
Regards,
Michelle Palmer
________________________________________
Palmer Books
301 N. Greenville Ave. #117
Allen, Tx. 75002
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214-547-8427
775-719-1396 Fax
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